The top Jewish artwork shows flame and smoke belching from the crematoria as victims line up for their turn to die — it just so happens this a giant lie since crematorias are never, ever designed for flames to go up the chimney. The overly-imaginative Jews (liars) always describe these flames in lurid, satanic detail like Steven Spielberg did in “Schindler’s List.” Bottom photo shows the smoke-less crematoria in the background (all existing photos are like this). Note the “doomed” Jews smiling and waving for the camera.
They didn’t just do this kind of thing for war-time propaganda or for the Nuremberg War Trials, either. The photo on the right was found up on the Simon Weisenthal Center website in 1999. To get American sympathies stoked-up (which is the point), they’ve explained that the smoke in the background is coming from the crematoria at Auschwitz – all the parents and family of the Jews in the foreground going up. But someone located the original on the left, clearly showing a later-day air-brushing job (poorly done, too). So busted!
The ridiculous bashed-in holes where Zyklon-B is said to have been poured in on the victim Jews below. The aerial shot on the left shows the supposed location of the so-called entry ports. The photo on the right is from where the marks were made on the aerial shots. They look like they were purposefully bashed-in with a sledgehammer into the remnants of the crematoria (the last one was conveniently blown-up by the Soviets soon after the war). Note the steel rebar curled back in. Question: Do you really think the efficient Germans would have allowed such construction crudity?
This supposed secret shot with a “smuggled camera” is said to show body burning at Auschwitz, because the numbers of claimed gassing dead were so impossible for the crematoria (actually used for the day-to-day dead of a 100,000 camp).
It’s really a combination print of at least three photos: One, the window where a Jew Kapo snapped the shot “secretly” and two, a newspaper negative stolen from a 1912 train wreck in Dresden, Ohio, showing rescue people, along with a few real dead victims of the accident. Three, added figures and bodies were spliced in for effect (with obvious retouching — see the crude “spaghetti woman”). The final montage print itself was then re-shot on a copy stand to aid in the fakery.
So where’s the naked Jew guy? Famous holocaust shot was accidentally published in New York Times without starving naked Jew. So how did that happen? Close examination of the accepted version shows subtle light flashing from darkroom double printing, where someone dropped in the naked Jew to aid in the “shock value.”
Now do you see why the Jews, internationally, work so hard to prohibit any forensic and historical research into the Holocaust?
The Holocaust™ has been very, very good for the Jews and they know it. That’s why they seek to protect the whole gig — truth be damned.
Here’s a shot where they used to say was taken of Jews on the way to death in the gas chamber, but was later proven to be German refugees in 1946!
1) The big, bad Nazi on the right is obviously pasted in, the lighting is from two directions and the focal point is off. 2) If you knew anything about rifle ballistics would you be this close to a wall? 3) This has to be a still from a Soviet propaganda film later pawned off as holocaust proof. The building in the background has a big star on it — probably the red Soviet star. Also, the big, clean Stars of David on the Jew work crew is obvious overkill. Since all the holocaust business occurred in the soon-to-be Soviet territory, what we are really seeing is the continuous recycling of faked Soviet propaganda by Western Zionist Jews.
German soldiers, who just happen to be sporting WW I era helmets, round up some well-dressed Jews. On the right, civilians can be seen having a big guffaw with a German paratrooper — maybe he landed in their garden dung-heap!
Now that’s some big, damned Jews! These hung Jews would have had to have been 8 foot tall (hung apparently without rope). And they called Jews “Untermenschen”? Maybe they were the “Golem” for a local Rabbi? You little midget Nazis were something else!
Fun with dead bodies. Let’s take photo A and merge it with photo B – viola! Holocaust Propaganda with a capital “P”! Or is it “H”? And the skinny, emaciated Jews, alive or dead? There is much to blame on the insane allied bombing campaigns that totally destroyed Germany. In fact, after the war 5 million Germans starved to death (only recently admitted to) – far more than any Jews in concentration camps (but the Germans had it coming, right?).
1) You can see the background behind the “victim” being blended-in crudely with a real-life airbrush – not the tool in modern-day PhotoShop. Look around his head.
2) He didn’t do a good job with the boot, as you can see the cut-line.
3) Check out the smiling, totally evil Nazi — you go, Fritzie!
Another hard day at the office for the ‘Evil’ Nazi Man! How so many people are still able to believe so many of the blatantly fake photos being pawned-off as proof is beyond me? People just don’t hang with their legs like this (finally admitted in 1996 to be a East German communist fraud created in 1958).
To make matters even worse however, this particular photo was just recently published as being real (more evil Nazi brainwashing), in a National Geographic documentary on crucifixions shown to American guy during the 2014 Easter holidays.